Heroes in More Ways Than One: LEVERAGE Returns to TNT Tonight

We’ll admit it–the dismal summer TV offerings are killing us. Killing us. I’m getting a lot more pleasure out of the Tour de France (Tour de Fraaaaaance, if you follow the announcers’ lead), the Sotomayor hearings, and watching people rip out bathrooms on HGTV than I am from the likes of Wipeout or America’s Got Talent (a dubious conclusion). It’s been so bad that I’ve even been driven by this cathode-based pain toward haiku:

HawthoRNe:

A moron could see

That after the commercial

This patient will breathe.

It buuuuurns. It freeeeeezes! Make it stoooooop!

Thank the heavens above, then, for the return of the loopy, lovable Leverage, here to save us at last from the cruel doldrums of summer TV. The adventures of a bunch of con men turned Robin Hood, Leverage might on occasion dance on the edge of depth (such as last season’s offerings questioning whether God would use a bunch of con men to pull off a miracle or suggesting that group father figure Nate [Timothy Hutton] might have a bit of a problem with the drinky-drinky). But for the most part, it’s just juicy fun. The plots are ludicrous, but watching the pieces of the puzzle unfold in closing flashbacks is a hootenanny of intellectual leapfrogging. Perhaps most fun is the chemistry among the characters. It’s no accident Nate is a father figure–this little crew chooses each other as a weird but strangely functional family. Personally, I could use a little less of the will-they-won’t-they flirtation between Daddy and Mommy (frontwoman Sophie, played by Gina Bellman), but the witty interactions among a thief who has honed her craft since elementary school–and who is socially barely beyond that stage (Beth Riesgraf), the computer expert who is by turns slick and geeky (Aldis Hodge), and the muscle with both brains and heart (Christian Kane) will keep us coming back week after week. Welcome back, Leverage–what took you so long to get here?

TNT is using the Leverage premiere to launch Dark Blue, an undercover cop saga starring Dylan McDermott. I don’t much care about the details of this beyond the fact that it allows me to gaze upon Dylan McDermott. I’m not yet convinced Dark Blue, which appears to be, well, dark (imagine that title intoned by the late Don LaFontaine–“Dark. Blue.“), is a great tonal match with the frothy pleasures of Leverage, but we’d like to see McDermott have another success, so here’s hoping. Leverage begins tonight on TNT at 9pm Eastern/Pacific, followed immediately by Dark Blue.

TNT’s LEVERAGE Is More Fun Than a Barrel of Thieves

TNT’s new drama Leverage isn’t likely to win the network any Emmys. It isn’t ground-breaking, or thought-provoking, or even remotely plausible most of the time. But you know what it is? A heck of a lot of fun.

Oscar-winner Timothy Hutton stars as a down-on-his-luck former insurance investigator who teams up with a band of professional thieves, hackers and con artists to pull off a high-tech heist, and ends up forming a modern day Robin Hood and his Merry Men (and Women). That’s right, these career criminals up and decide to start stealing from the rich and greedy and donating their spoils to the Little Guys who’ve been screwed by the Man. Ridiculous? Absolutely. But it may be just the kind of television comfort food audiences are looking for in the current economic climate.

The best thing about Leverage is definitely its ensemble cast, which is pleasingly populated with familiar television faces: Gina Bellman (Coupling, Jekyll) as the chameleon-like grifter, Christian Kane (Angel) as the muscle, Aldis Hodge (Friday Night Lights‘ Ray “Voodoo” Tatum) as the computer geek, and Beth Riesgraf (Jason Lee’s ex-fiancé–probably best known for being mom to the infamously-named Pilot Inspektor) as the skyscraper-scaling thief. They’re all quirky enough and bicker amusingly enough to keep the show smoothly entertaining, despite its flaws.

Ah, the flaws. To start with, Leverage is definitely on the style-over-substance ticket. It wants very badly to be as cool as the Ocean’s movies, to the extent that you might even call it a blatant rip-off. Fine. But you know what? I love the Ocean’s movies. Even the bad ones. Sometimes I’m just in the mood for a little style over substance.

Okay, Leverage‘s plots have more holes than a Dunkin’ Donuts, but the direction is impressively slick and the writing dependably snappy. The double- and triple-crosses are predictable to anyone versed in the caper genre, as are the resolutions (in fact, one of the twists in the pilot is lifted straight out of Ocean’s 11), but somehow that doesn’t make the journey any less intoxicating.

So sit back, suspend your disbelief, and enjoy the ride. Because if you’re someone (like me) who watches a show like Bones for the goofy banter between the ensemble cast, or Burn Notice for the cool-yet-inane subterfuge, then Leverage is for you.

And I’m not just saying that because the nice folks at TNT sent us a Leverage beverage (which, by the way, tasted like rancid Sweet Tarts with an aftertaste of baby aspirin).

Leverage premieres on TNT Sunday, Dec. 7, at 10 p.m. Eastern, before moving to its regular time slot on Tuesdays at 10 p.m.