Emmys with a Side of Bacon: 2011 Edition

The 2011 Emmys take place tonight, and we’re still kind of squinting at them, trying to figure out what’s going on. We were prepared to post in outrage when the nominations came out, but with the exception of the nearly across-the-board snubbing of Community (boo! Boo, I say!) they were…largely adequate. No, seriously, we agreed with 56% of the nominations, which is more than double our norm, so it was hard to get too outraged. Whether this is because the academy is drawing closer to our tastes–or we to theirs–or just because we’re not terribly excited by the dramatic offerings so we shrugged and accepted what we were given, this could have been worse.

Still, we’re always interested in who wins, and are often astonished. And just as often, that astonishment is not the good kind. This leads to all kinds of curiosity about what people vote for and how they come to vote that way. We also wonder how outcomes might be different if different voting systems were used. So this year, we solicited our own Bacon voters and asked them to rank the nominees, just like the real voters do. Let me note for the record that our sample is small compared to the actual voting pool, and that it was certainly non-random (although the real Academy membership is, too). There’s another key difference between our voters and the real ones we’ll get to in a minute, but I can vouch for the fact that the Bacon pool is made up of serious TV watchers and thoughtful voters (even if the winners listed below sometimes ended up different than our personal choices!). Thanks again to all who participated!

So what did we learn? Different ways of counting up votes often led to nominees swapping places, but that was usually something like swapping third and fourth places–it typically didn’t change winners. When it did make a difference, however, it made a pretty big difference, as you’ll see below. We were also interested to find that, generally speaking, people rank things they’re unfamiliar with last. “Buzz” or critical acclaim just didn’t seem to matter much, at least to our group of voters–if they hadn’t seen it, it came in last on their ballots. The one exception to this was when there was something they genuinely loathed in the category–they were happy to rank that behind something they’d never laid eyes on. We can’t prove it with these data, but we wouldn’t be surprised if that’s human nature and the real voters work this way, too. Similarly, some voters reported ranking people higher simply because they like them from other projects, not because of their work this year. Again, it wouldn’t surprise us to learn that the Emmy voters think that way, too.

One key difference that might affect things like the above, however, is that we didn’t ask our voters to actually watch the episodes the nominated shows or actors submitted. Real Emmy voters are divided into panels and sent DVDs containing the submitted episodes, which the producers or performers select as their best work. Voters sign an affidavit saying they’ve viewed the submissions before making their selections, although of course no one’s watching them do the watching. This seems to be the key–an actor from a less popular or established show might come from behind with a canny or stunning episode submission. Our voters didn’t have that luxury (maybe next year!), but at the same time we can only hope the real voters take advantage of it. We may never know for sure, but we have two data points from our little game that are interesting: Two of our voters’ least favorite candidates, Paul McCrane from Harry’s Law and Gwyneth Paltrow from Glee, have already won Emmys this year, as the guest categories were awarded at the Creative Arts Emmy ceremony. We can’t entirely separate out all the factors that might have contributed to that–Paltrow’s a movie star “slumming” on TV; McCrane had the type of David E. Kelley bombast we’re just tired of–but maybe their episodes were persuasive.

The finding that might have surprised me the most, however, was that everything’s loved by someone: Almost every nominee got at least one first place vote. Pretty much everything, no matter how little viewed by the public or how disrespected by the critics, has someone who loves it. The only exceptions? Harry’s Law‘s Kathy Bates and Paul McCrane (an actual Emmy winner, I remind you) and Two and Half Men‘s Jon Cryer. Yes, even Gwyneth got a first place vote–everything’s got someone who loves it. Perhaps even more surprising, there wasn’t a single case where two ballots were identical. Let me reiterate that: there was not a single case where two people completely agreed who or what deserved an Emmy. Not one. That’s something to put in your pipe and smoke as we think about how the voting happens and why voters make the choices they do–even in a relatively small, relatively homogenous group such as our voting pool, there was no agreement on what’s good, bad, enjoyable, annoying. Maybe we’ll never figure out the patterns at all–maybe there aren’t any.

Or maybe we’ll try having voters actually watch the submissions next year, and we definitely want to see if a different pool/different voting systems make a difference at the key nomination stage. Never say die! So plan now to be a Bacon voter next year!

Drama Series: Friday Night Lights (FNL–and pretty much everything associated with it–were the clearest winners in any category.)

Lead Actor in a Drama Series: Kyle Chandler, Friday Night Lights

Lead Actress in a Drama Series: Connie Britton, Friday Night Lights (Britton had the most #1 votes of any nominee in any category, making her, I guess, the Pork Queen Extreme.)

Supporting Actor in a Drama Series: Peter Dinklage, Game of Thrones (An interesting case–Dinklage was much loved even by people who ranked GoT very low in the series category.)

Supporting Actress in a Drama Series: Christina Hendricks, Mad Men (Mad Men‘s only win, and nothing else came terribly close. We’re unsure whether that’s because our pool doesn’t watch it as much as real Emmy voters, if they felt it had been recognized enough in previous years, or if there was a push to reward FNL‘s last chance.)

Guest Actor in a Drama Series: Michael J. Fox, The Good Wife (We note he has actually already lost to the aforementioned McCrane.)

Guest Actress in a Drama Series: Joan Cusack, Shameless (Cusack is perhaps the best example of residual affection from other projects, as many of our voters reported never having heard of Shameless, let alone having watched her in it. Cusack lost to Loretta Devine of Grey’s Anatomy.)

Comedy Series: Modern Family (An easy win over a 2nd place Parks and Recreation, which people either loved or hated.)

Lead Actor in a Comedy Series: Ah, and here we hit trouble. Using the Emmys’ preferential ranking system, the top three choices are Steve Carell from The Office as the winner, Jim Parsons from The Big Bang Theory in second, and 30 Rock‘s Alec Baldwin in third. Other voting systems, however, flop that all around, with the most common outcome being Baldwin winning ahead of Carell and Parsons. Since the preferential ranking has benefited both Baldwin and Parsons in the past but never Carell, we’re content giving him the win, but it’s interesting.

Lead Actress in a Comedy Series: Martha Plimpton, Raising Hope (A winner by a comfortable margin; it will be interesting to see the actual Emmys and whether this is an artifact of our specific pool or if everyone has such excellent taste. As she is awesome.)

Supporting Actor in a Comedy Series: A tie, between Ty Burrell of Modern Family and Chris Colfer of Glee. Alternate voting systems pretty invariably had Burrell in front. (Colfer was remarkably polarizing even among our voters, whom I happen to know lean toward people who actually like him even when they were ranking him low, so it’s hard to imagine that real voters wouldn’t have the same polarization for about a hundred reasons, including his episode submission positioning him as the genuine contrast candidate.) (I should probably also note the opportunity for a new CBS mulit-camera, laugh-track sitcom called Everybody Hates Jon Cryer, because wow, most voters really, really did.)

Supporting Actress in a Comedy Series: Ooh, fun, more trouble. The preferential voting system actually used by the Emmys gave us a pretty clear win for Glee‘s Jane Lynch. Other approaches, however, bumped her all the way down to third, behind Modern Family‘s Sofia Vergara and Julie Bowen (in that order). (Glee is an interesting case–it did poorly in series, but some voters seemed to carry that over to the actors, while many were willing to “forgive” the actors the show’s sins.)

Guest Actor in a Comedy Series: Will Arnett, 30 Rock (He actually lost the Emmy to Justin Timberlake’s SNL hosting gig, which finished fifth in our pool. Screeners? Star…whoring? Our voters being uninteresting in bringing sexy back?)

Guest Actress in a Comedy Series: A tie, between Raising Hope‘s Cloris Leachman and Glee‘s Dot-Marie Jones. Alternate voting systems put Jones on top. (Gwyneth Paltrow actually won. I’m sure she’ll be posting instructions on how to turn your own Emmy into a fashionable paper towel holder for your guest house kitchen on GOOP soon.)

I have a sneaking suspicion the actual winners will look quite different–that’s the pattern so far–but it will be interesting to see where and speculate as to why. Please join us in untangling it all!

Emmy Nomination Ballots Out: Hello, Rob Lowe; Goodbye, Charlie Sheen

Emmy ballots are being posted! (Performers, directors, and writers; note that they are .pdf files. ETA: Here’s a gateway to all categories–the hairstyling/makeup submissions are really fun to read!) We haven’t had much time to look over them, but there are always a few standout crazy moments:

  • Always fun to see the different writing submission strategies (which are also, of course, dependent on the makeup of writing teams)–The Middle submits one, Modern Family submits nine. Nine. Glee submits one per writer, Cougar Town submits eight. Friday Night Lights submits only the series finale; Covert Affairs submits eight and Burn Notice nine. I don’t know that one strategy is superior to another (hard to imagine Burn Notice, which I like very much, getting a nom, while Modern Family will likely get a few), but it’s fun to play with.
  • No America Ferrera for Guest Actress for The Good Wife? Boooooo.
  • No Jennifer Aniston in Guest Actress for Cougar Town? Odd.
  • As suspected, Rob Lowe–God love him–thinks he’s a lead actor on Parks and Recreation. Maybe Charlie Sheen’s absence will open up a slot for Lowe (is there a back door through which Sheen can still make it in? That…is probably not a good way to ask that question).
  • Oh, y’all, Community submitted the Christmas episode in the animated category. Love it!
  • The headshots are golden. Nice knit hat, Alan Cumming. Jennifer Love Hewitt managed to find three different headshots for her three different submission. Bless.

What interesting tidbits are you finding?

Crimestoppers versus Lawyers: The State of Modern Television Folds Inward Yet Again Tonight

Three major premieres tonight, and all three reflect the current TV tendency to solve crime. Whether this is because we like the comfort of watching square-jawed heroes catch bad guys before we shuffle off to bed or because we like to unwind puzzles or because there’s something in the SAG contract guaranteeing the opportunity to play both a cop and a criminal to each and every union member, a large percentage of shows on every night focus on crime solving. Tuesday’s new offerings don’t offer much new–although they will claim they do–but they do offer some intriguing actors.

“You could watch Kelly Osborne do a bad salsa on Dancing with the Stars, or you could watch a star the likes of Linda Hunt–she alone makes NCIS: Boba Milk worth checking out.”

NCIS offers a cleverly named spin-off, NCIS: Los Angeles, which shall shortly be the recipient of a rude, fast food-based nickname. The NCIS franchise is a police procedural, but they’re Navy cops in some fashion, so that’s different. The cast is intriguing, however, anchored by unfortunate Robin Chris O’Donnell (less interesting) and LL Cool J (more interesting–as Mama told him to knock you out, I assume he’ll be delivering Mark Harmon-approved head slaps) and flavored by Oscar winner Linda Hunt (perhaps better known on TV for The Practice and Carnivale). You could watch Kelly Osborne do a bad salsa on Dancing with the Stars, or you could watch a star the likes of Linda Hunt–she alone makes NCIS: Boba Milk worth checking out.

ABC hands the DwtS lead in audience to the forgotten (yes, they’re avoiding capital letters), a show from the Bruckheimer stable in which a team of dedicated crimesolvers follows up on cold cases where “the forgotten” are unidentified murder victims who will be buried in a potter’s field unless they are identified. What makes the forgotten different from other, similar shows focusing on cold cases, like, I don’t know, Cold Case? The crimesolvers are civilians. Sure, that’ll make all the difference (and will likely make it so much easier to get information and evidence! In TV Land, that is). Said civilians are led into combat by Christian Slater, who, after his split-personality spy show My Own Worst Enemy failed, may have found he liked TV work. I’m not sure I want him on my TV every week, but I’m willing to be persuaded.

CBS volleys the Christian Slater serve with The Good Wife, a show that is much, much different than our previous two entries because it solves crime from the law side of the ledger rather than the order side. In addition, its lead character (played by Julianna Marguiles of ER fame), is not just a lawyer, she’s a politician’s wife. A dirty politician’s wife. Oh, and a district attorney, which means she may as well just wave across the aisle at Sam Waterston [edited: my bad; I read bad intell–she’s defending people pro bono! Maybe George Michael will start singing soon.]. Presumably this means we’ll be getting more detail about the intrepid crimefighers’ personal lives here, but do we want that detail in our tidy procedurals?  The Good Wife may not be blazing new ground, but it’s bringing a lot of firepower with a cast that is, at first glance, at least, more intriguing than the forgotten‘s : in addition to Marguiles, we’ll be treated to Josh Charles (Sports Night–yay!). Christine Baranski (Cybill, Welcome to New York), Matt Czuchry (Gilmore Girls, Friday Night Lights), Chris Noth (Law & Order, Sex and the City), and by far my favorite, Christine Willes. Yes, Dead Like Me‘s Delores Herbig (“her big brown eyes”) and Reaper‘s DMV demon Gladys is likely to bring more pep to these proceedings than the entire case docket. I’d tune in just for her. NCIS: West Coast Style on CBS at 9pm Eastern followed by The Good Wife at 10; the forgotten (still missing its caps) airs on ABC at 10pm Eastern.